Services
Six ways to work with me. Most shows use two or three of them.
Live sound engineering
A1, monitors and system tech for conferences, galas, concerts and services. Clear speech, music with weight, and no feedback during the big line.
Technical direction and show calling
One voice on headset calling every cue. Award shows, general sessions, galas with live auctions and a band that wants to start early.
Event production
Design, competing vendor quotes, booking, the advance and show day. One plan, one budget you can read, one person accountable.
Production consulting
Quote reviews, venue and church system audits, purchase planning and training for volunteer and staff crews.
Hawaiian cultural production
Lūʻau, hōʻike, protocol and cultural programs, produced with the kumu’s direction at the center.
Touring artists
Local advance, PA and backline sourcing, and an engineer who can run your show file or mix it fresh.
No warehouse, on purpose
I don’t keep a warehouse of gear. I keep relationships. Sound systems, LED, lighting, staging and crew come through our production partners and other trusted local companies, chosen for each show.
That means you get rental-house inventory sized for your room, without paying for my overhead or being pushed into whatever I happen to own. It also means I can tell you straight when a quote is too high, because I’m not protecting my own gear.
Tell me about the show.
Date, room, rough headcount, and whatever is keeping you up at night. I answer every request myself, usually the same day.